| Across cultures: Shakespeare and the carnivalesque shrew N Pikli European Journal of English Studies 14 (3), 235-248, 2010 | 12 | 2010 |
| The Prince and the Hobby-Horse: Shakespeare and the Ambivalence of Early Modern Popular Culture N Pikli Journal of Early Modern Studies 2, 119-140, 2013 | 9 | 2013 |
| The Crossing Point of Tears and Laughter: A Tragic Farce—Shakespeare's Titus Andronicus N Pikli The AnaChronisT 6, 51–69-51–69, 2000 | 6 | 2000 |
| The Carnival and Carnivalesque Laughter, Falstaff’s Mythical Body N Pikli The Prism of Laughter. Shakespeare’s―very tragical mirth, 6, 2001 | 5 | 2001 |
| The Prism of Laughter: Shakespeare's" very tragical mirth" N Pikli VDM Publishing, 2009 | 4 | 2009 |
| Feleselő szavak és asszonyok: a shrew az angol és magyar kulturális emlékezetben N Pikli L'Harmattan, 2010 | 3 | 2010 |
| Staging The Merchant of Venice in Hungary Politics, prejudice and languages of hatred N Pikli Shakespeare’s Others in 21st-century European Performance: The Merchant of …, 2021 | 1 | 2021 |
| Shakespeare’s Hobby-Horse and Early Modern Popular Culture N Pikli Routledge, 2021 | 1 | 2021 |
| Institutional heritage and'that Shakespearean hazard'1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre N Pikli | 1 | 2021 |
| Hybrid Creatures in Context: Centaurs, Hobby-horses and Sexualised Women (Hamlet, King Lear, The Two Noble Kinsmen) N Pikli Actes des congrès de la Société française Shakespeare, 2020 | 1 | 2020 |
| „Nőknek mondanálak”. A Macbeth furcsa nővérei és a boszorkányság korabeli kontextusa N Pikli Filológiai Közlöny 64 (3), 18-31, 2018 | 1 | 2018 |
| Teenagers in focus–classic/popular Shakespeare? A case study of present-day Hungarian reception N Pikli L'Harmattan, 2011 | 1 | 2011 |
| “Gallops to the tune of ‘Lightoff’love’”: Hobby-horses, stigmatised women and male riders in The Two Noble Kinsmen N Pikli Re) defining Gender in Early Modern English Drama. Power, Sexualities, and …, 0 | 1 | |
| Shakespeare and the Popular Film Industry: From Allusion and Adaptation to Successful Crossovers N Pikli The AnaChronisT 21 (1), 83–101-83–101, 2023 | | 2023 |
| Mohácsi, István and János N Pikli The Palgrave Encyclopedia of Global Shakespeare, 1-3, 2022 | | 2022 |
| Unruly Audiences and Dissenting Scholars N Pikli Hungarian Journal of English and American Studies 28 (1), 2022 | | 2022 |
| Rulership in Early Modern England N Pikli Theatron színháztudományi periodika 16 (4), 143-149, 2022 | | 2022 |
| Civic Pageantry in Early Modern London: Contexts and New Research Methodologies N Pikli Hungarian Journal of English and American Studies 27 (1), 2021 | | 2021 |
| Horses, Women and Emblems: Localizing and Gendering Core Emblems in Early Modern England N Pikli The 67th Annual Meeting of the Renaissance Society of America (Virtual), 2021 | | 2021 |
| Kősziklára építve. Built Upon His Rock D Panka, N Pikli, V Ruttkay ELTE BTK Angol-Amerikai Intézet, Anglisztika Tanszék, 2018 | | 2018 |
