| “The perfect guide in a crowded musical landscape:” Online music platforms and curatorship E Barna First Monday, 2017 | 28 | 2017 |
| Dinamikus hatalom. Kulturális termelés és politika Magyarországon 2010 után E Barna, M Madár, K Nagy, M Szarvas Fordulat 26, 225-251, 2019 | 11 | 2019 |
| A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából E Barna, G Csányi, Á Gagyi, T Gerőcs Replika, 241-262, 2018 | 11 | 2018 |
| Online and offline rock music networks: A case study on Liverpool, 2007-2009 RE Barna University of Liverpool, 2011 | 11 | 2011 |
| A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene E Barna Made in Hungary, 59-70, 2017 | 10* | 2017 |
| Made in Hungary: Studies in popular music E Barna, T Tófalvy Taylor & Francis, 2017 | 9* | 2017 |
| East-Central European feminist activism in the context of uneven development in the European Union, and ways to move forward E Barna, G Csányi, Á Gagyi, T Gerőcs The Future of the European Union–Feminist Perspectives from East-Central …, 2017 | 7 | 2017 |
| “There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks E Barna Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010 | 6* | 2010 |
| Popular music, technology, and the changing media ecosystem: From cassettes to stream T Tofalvy, E Barna Palgrave Macmillan, 2020 | 5 | 2020 |
| Változás és kontinuitás egy budapesti underground zenei világban a műfaj-esztétika, ízlés, technológia és alkotómunka viszonyrendszerén keresztül E Barna Társadalmi Nemek Tudománya Interdiszciplináris eFolyóirat 7 (1), 1-21, 2017 | 5 | 2017 |
| The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands E Barna Cultural Cyborgs: Life at the Interface, 105-116, 2011 | 5* | 2011 |
| Curators as Taste Entrepreneurs in the Digital Music Industries E Barna Popular Music in the Post-digital Age: Politics, Economy, Culture and …, 2018 | 4 | 2018 |
| “We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration E Barna, Á Patakfalvi-Czirják Journal of Contemporary Central and Eastern Europe 30 (2), 217-235, 2022 | 3 | 2022 |
| Bedroom production E Barna, G Stahl, J Mark Percival The Bloomsbury Handbook of Popular Music, Space and Place, 191-204, 2022 | 3 | 2022 |
| Researching popular music and the rise of populism in Europe M Dunkel, M Schiller, A Schwenck, K Kärki IASPM XX Proceedings, 31-4, 2021 | 3 | 2021 |
| A hálószoba, a stúdió és a közösségi média találkozása RE Barna INFORMÁCIÓS TÁRSADALOM: TÁRSADALOMTUDOMÁNYI FOLYÓIRAT 14 (4), 30-45, 2014 | 3 | 2014 |
| Musical identity and social change: Articulating the national and the translocal in Hungary’s indie music scene E Barna United Academics Journal of Social Sciences 7, 72-86, 2014 | 3 | 2014 |
| Articulating the (Inter) National Through Aesthetic Choices: Towards an Understanding of the Hungarian Indie Scene 2000–2010 in a Translocal Context E Barna EastBound 2012 1, 2012 | 3 | 2012 |
| Transformation of the “Made in…” label: countries as brands and the hidden global relations of production E Barna, E Dobos-Nagy The Routledge Companion to Fashion Studies, 223-231, 2021 | 2 | 2021 |
| Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary E Barna Eastern European Music Industries and Policies after the Fall of Communism …, 2021 | 2 | 2021 |
