Emilia Barna
Emilia Barna
Verified email at eik.bme.hu
Title
Cited by
Cited by
Year
“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship
E Barna
First Monday, 2017
212017
Made in Hungary: Studies in Popular Music
E Barna, T Tófalvy
Taylor & Francis, 2017
9*2017
Online and offline rock music networks: A case study on Liverpool, 2007-2009
RE Barna
University of Liverpool, 2011
92011
A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene
E BARNA
Made in Hungary, 59-70, 2017
6*2017
“There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks
E Barna
Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010
62010
A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából
E Barna, G Csányi, Á Gagyi, T Gerőcs
Replika, 241-262, 2018
52018
Változás és kontinuitás egy budapesti underground zenei világban a műfaj-esztétika, ízlés, technológia és alkotómunka viszonyrendszerén keresztül
E Barna
Társadalmi Nemek Tudománya Interdiszciplináris eFolyóirat 7 (1), 1-21, 2017
42017
A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene
E BARNA
Made in Hungary, 59-70, 2017
42017
Dinamikus hatalom. Kulturális termelés és politika Magyarországon 2010 után
E Barna, M Madár, K Nagy, M Szarvas
Fordulat 26, 225-251, 2019
32019
East-Central European feminist activism in the context of uneven development in the European Union, and ways to move forward
E Barna, G Csányi, Á Gagyi, T Gerőcs
The Future of the European Union–Feminist Perspectives from East-Central …, 2017
32017
A hálószoba, a stúdió és a közösségi média találkozása. A budapesti hálószobapop-színtér
E Barna
Információs Társadalom 14 (4), 30-45, 2014
32014
Musical identity and social change: Articulating the national and the translocal in Hungary’s indie music scene
E Barna
United Academics Journal of Social Sciences 7, 72-86, 2014
32014
Preserving popular music heritage in Hungary
E Barna
The Routledge Companion to Popular Music History and Heritage, 348-357, 2018
22018
Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www. europopmusic. eu.
E Barna
Journal of World Popular Music 1 (1), 100-107, 2014
22014
Articulating the (Inter) National Through Aesthetic Choices: Towards an Understanding of the Hungarian Indie Scene 2000–2010 in a Translocal Context
E Barna
EastBound 2012 1, 2012
22012
The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands
E Barna
Cultural Cyborgs: Life at the Interface, 105-116, 2011
22011
Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary
E Barna
Eastern European Music Industries and Policies after the Fall of Communism …, 2021
12021
Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes to Stream
T Tofalvy, E Barna
Springer Nature, 2020
12020
The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries
E Barna
Popular Music, Technology, and the Changing Media Ecosystem, 79-95, 2020
12020
Curators as Taste Entrepreneurs in the Digital Music Industries
E Barna
Popular Music in the Post-digital Age: Politics, Economy, Culture and …, 2018
12018
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Articles 1–20