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Emília Barna
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Cited by
Year
“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship
E Barna
First Monday, 2017
362017
Dinamikus hatalom. Kulturális termelés és politika Magyarországon 2010 után
E Barna, M Madár, K Nagy, M Szarvas
Fordulat, 225-251, 2019
17*2019
A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából
E Barna, G Csányi, Á Gagyi, T Gerőcs
Replika, 241-262, 2018
142018
A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene
E Barna
Made in Hungary, 59-70, 2017
13*2017
Online and offline rock music networks: A case study on Liverpool, 2007-2009
RE Barna
University of Liverpool, 2011
122011
Popular music, technology, and the changing media ecosystem: From cassettes to stream
T Tófalvy, E Barna
Springer Nature, 2020
92020
Made in Hungary: Studies in popular music
E Barna, T Tófalvy
Taylor & Francis, 2017
9*2017
East-Central European feminist activism in the context of uneven development in the European Union, and ways to move forward
E Barna, G Csányi, Á Gagyi, T Gerőcs
The Future of the European Union–Feminist Perspectives from East-Central …, 2017
82017
Bedroom production
E Barna, G Stahl, J Mark Percival
The Bloomsbury Handbook of Popular Music, Space and Place, 191-204, 2022
72022
Popular music as a medium for the mainstreaming of populist ideologies in Europe
M Dunkel, E Barna, M Caiani, A Doehring, M Niederauer, M Schiller
Research Project (Full Proposal) financed by Volkswagen Foundation, Ref 94 …, 2018
72018
“We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration
E Barna, Á Patakfalvi-Czirják
Journal of Contemporary Central and Eastern Europe 30 (2), 217-235, 2022
62022
Music industry workers’ autonomy and (un) changing relations of dependency in the wake of COVID-19 in Hungary: Conclusions of a sociodrama research project
E Barna, Á Blaskó
Intersections. East European Journal of Society and Politics 7 (3), 279-298, 2021
62021
Curators as Taste Entrepreneurs in the Digital Music Industries
E Barna
Popular Music in the Post-digital Age: Politics, Economy, Culture and …, 2018
62018
Változás és kontinuitás egy budapesti underground zenei világban a műfaj-esztétika, ízlés, technológia és alkotómunka viszonyrendszerén keresztül
E Barna
Társadalmi Nemek Tudománya Interdiszciplináris eFolyóirat 7 (1), 1-21, 2017
62017
“There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks
E Barna
Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010
62010
Between Cultural Policies, Industry Structures, and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary
E Barna
Popular Music and Society 45 (1), 67-83, 2022
52022
The relentless rise of the poptimist omnivore: Taste, symbolic power, and the digitization of the music industries
E Barna
Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes …, 2020
52020
The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands
E Barna
Cultural Cyborgs: Life at the Interface, 105-116, 2011
5*2011
Researching popular music and the rise of populism in Europe
M Dunkel, M Schiller, A Schwenck
XX Biennial IASPM Conference: Turns and Revolutions in Popular Music Studies …, 2021
42021
Konzervatív fordulat a zeneiparban és a digitális zeneipar új vállalkozói
E Barna
Fordulat, 2018
42018
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