Emilia Barna
Emilia Barna
Verified email at eik.bme.hu
Title
Cited by
Cited by
Year
“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship
E Barna
First Monday 22 (4), 2017
152017
Online and offline rock music networks: A case study on Liverpool, 2007-2009
RE Barna
University of Liverpool, 2011
82011
A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene
E BARNA
Made in Hungary, 59-70, 2017
5*2017
Made in Hungary: Studies in Popular Music
E Barna, T Tófalvy
Taylor & Francis, 2017
5*2017
“There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks
E Barna
Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010
52010
A (translocal) music room of one’s own
E BARNA
Female musicians within the Budapest lo-fi scene, 2015
22015
Musical identity and social change: Articulating the national and the translocal in Hungary’s indie music scene
E Barna
United Academics Journal of Social Sciences 7, 72-86, 2014
22014
The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands
E Barna
Cultural Cyborgs: Life at the Interface, 105-116, 2011
22011
Curators as Taste Entrepreneurs in the Digital Music Industries
E Barna
Popular Music in the Post-Digital Age: Politics, Economy, Culture and …, 2018
12018
Preserving popular music heritage in Hungary
E Barna
The Routledge Companion to Popular Music History and Heritage, 348-357, 2018
12018
Introduction: The Study of Popular Music in Hungary
E Barna, T Tófalvy
Made in Hungary, 13-24, 2017
12017
Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www. europopmusic. eu.
E Barna
Journal of World Popular Music 1 (1), 100-107, 2014
12014
The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries
E Barna
Popular Music, Technology, and the Changing Media Ecosystem, 79-95, 2020
2020
Musical and Social Structures: Marxist Interpretations of Popular Music in the 1960s and early 1970s in Hungary and the UK
E Barna, Á Ignácz
IASPM Journal 8 (2), 2-17, 2018
2018
Birth of an underground music scene?
E Barna
DIY Cultures and Underground Music Scenes, 2018
2018
A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából
E Barna, G Csányi, Á Gagyi, T Gerőcs
REPLIKA 108 (3-4), 241-262, 2018
2018
Konzervatív fordulat a zeneiparban és a digitális zeneipar új vállalkozói
E Barna
Fordulat, 2018
2018
Museum Review
E Barna
Journal of World Popular Music 4 (1), 116-121, 2017
2017
“Nothing But the Music…:” The History of Hungarian Funk Music JÓZSEF HAVASRÉTI
E Barna, T Tófalvy
Made in Hungary, 99-108, 2017
2017
“Hungarian in Form, Socialist in Content:” The Concept of National Dance Music in Stalinist Hungary (1949–56)
Á Ignácz
Made in Hungary, 81-88, 2017
2017
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Articles 1–20