| “The perfect guide in a crowded musical landscape:” Online music platforms and curatorship E Barna First Monday 22 (4), 2017 | 15 | 2017 |
| Online and offline rock music networks: A case study on Liverpool, 2007-2009 RE Barna University of Liverpool, 2011 | 8 | 2011 |
| A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene E BARNA Made in Hungary, 59-70, 2017 | 5* | 2017 |
| Made in Hungary: Studies in Popular Music E Barna, T Tófalvy Taylor & Francis, 2017 | 5* | 2017 |
| “There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks E Barna Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010 | 5 | 2010 |
| A (translocal) music room of one’s own E BARNA Female musicians within the Budapest lo-fi scene, 2015 | 2 | 2015 |
| Musical identity and social change: Articulating the national and the translocal in Hungary’s indie music scene E Barna United Academics Journal of Social Sciences 7, 72-86, 2014 | 2 | 2014 |
| The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands E Barna Cultural Cyborgs: Life at the Interface, 105-116, 2011 | 2 | 2011 |
| Curators as Taste Entrepreneurs in the Digital Music Industries E Barna Popular Music in the Post-Digital Age: Politics, Economy, Culture and …, 2018 | 1 | 2018 |
| Preserving popular music heritage in Hungary E Barna The Routledge Companion to Popular Music History and Heritage, 348-357, 2018 | 1 | 2018 |
| Introduction: The Study of Popular Music in Hungary E Barna, T Tófalvy Made in Hungary, 13-24, 2017 | 1 | 2017 |
| Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www. europopmusic. eu. E Barna Journal of World Popular Music 1 (1), 100-107, 2014 | 1 | 2014 |
| The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries E Barna Popular Music, Technology, and the Changing Media Ecosystem, 79-95, 2020 | | 2020 |
| Musical and Social Structures: Marxist Interpretations of Popular Music in the 1960s and early 1970s in Hungary and the UK E Barna, Á Ignácz IASPM Journal 8 (2), 2-17, 2018 | | 2018 |
| Birth of an underground music scene? E Barna DIY Cultures and Underground Music Scenes, 2018 | | 2018 |
| A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából E Barna, G Csányi, Á Gagyi, T Gerőcs REPLIKA 108 (3-4), 241-262, 2018 | | 2018 |
| Konzervatív fordulat a zeneiparban és a digitális zeneipar új vállalkozói E Barna Fordulat, 2018 | | 2018 |
| Museum Review E Barna Journal of World Popular Music 4 (1), 116-121, 2017 | | 2017 |
| “Nothing But the Music…:” The History of Hungarian Funk Music JÓZSEF HAVASRÉTI E Barna, T Tófalvy Made in Hungary, 99-108, 2017 | | 2017 |
| “Hungarian in Form, Socialist in Content:” The Concept of National Dance Music in Stalinist Hungary (1949–56) Á Ignácz Made in Hungary, 81-88, 2017 | | 2017 |
