| Online and offline rock music networks: A case study on Liverpool, 2007-2009 RE Barna University of Liverpool, 2011 | 7 | 2011 |
| “The perfect guide in a crowded musical landscape:” Online music platforms and curatorship E Barna First Monday 22 (4), 2017 | 6 | 2017 |
| “There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks E Barna Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010 | 4 | 2010 |
| The scene as online and offline music network: A case study on contemporary Liverpool indie rock bands B Emília Rumbles Wayne (Éd.), Cultural Cyborgs: Life at the interface, Oxfrod: Inter …, 2011 | 3 | 2011 |
| A (translocal) music room of one’s own E BARNA Female musicians within the Budapest lo-fi scene, 2015 | 2 | 2015 |
| A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene E BARNA Made in Hungary, 59-70, 2017 | 1 | 2017 |
| Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www. europopmusic. eu. E Barna Journal of World Popular Music 1 (1), 100-107, 2014 | 1 | 2014 |
| Curators as Taste Entrepreneurs in the Digital Music Industries E Barna Popular Music in the Post-Digital Age: Politics, Economy, Culture and …, 2018 | | 2018 |
| Birth of an underground music scene? E Barna DIY Cultures and Underground Music Scenes, 2018 | | 2018 |
| Preserving popular music heritage in Hungary E Barna The Routledge Companion to Popular Music History and Heritage, 348-357, 2018 | | 2018 |
| “Hungarian in Form, Socialist in Content:” The Concept of National Dance Music in Stalinist Hungary (1949–56) ÁDÁM IGNÁCZ E Barna, T Tófalvy Made in Hungary, 81-88, 2017 | | 2017 |
| Introduction: The Study of Popular Music in Hungary E Barna, T Tófalvy Made in Hungary, 13-24, 2017 | | 2017 |
| “A Dozen Songs Put in the Right Order”: A Conversation with Yonderboi A Rónai, E Barna, T Tófalvy Made in Hungary: Studies in Popular Music, 165, 2017 | | 2017 |
| Made in Hungary: Studies in Popular Music E Barna, T Tófalvy Taylor & Francis, 2017 | | 2017 |
| East-Central European feminist activism in the context of uneven development in the EU, and ways to move forward ÁGT GERŐCS The Future of the European Union, 69, 2017 | | 2017 |
| Once there was a Youth Park E Barna JOURNAL OF WORLD POPULAR MUSIC 4 (1), 116-121, 2017 | | 2017 |
| REVIEW| Beyond 2.0: The Future of Music E Barna IASPM@ Journal 5 (2), 96-98, 2015 | | 2015 |
| CHAPTER SIXTY-TWO GENRE, AUTHENTICITY AND ONLINE MEDIA INHUNGARIAN ROCK DURING THE 2000S E BARNA Media, Power and Empowerment: Central and Eastern European Communication and …, 2014 | | 2014 |
| Where the bedroom as studio meets online social media-The Budapest lo-fi scene B Emilia INFORMACIOS TARSADALOM 14 (4), 30-+, 2014 | | 2014 |
| about European Pop and Rock Music. www. europopmusic. eu Reviewed by: Emília Barna, Budapest University of Technology and Eco-nomics, Hungary P Royal | | 2014 |
