David Moffat
David Moffat
Lecturer in Sound and Music Computing, University of Plymouth
Verified email at plymouth.ac.uk - Homepage
Title
Cited by
Cited by
Year
Web Audio Evaluation Tool: A Browser-Based Listening Test Environment
N Jillings, B De Man, D Moffat, JD Reiss
Sound and Music Computing 2015, 2015
792015
An Evaluation Of Audio Feature Extraction Toolboxes
D Moffat, D Ronan, JD Reiss
Digital Audio Effects 2015 (DAFx), 2015
712015
Automatic Subgrouping Of Multitrack Audio
D Ronan, D Moffat, H Gunes, JD Reiss
Digital Audio Effects 2015 (DAFx), 2015
302015
Web Audio Evaluation Tool: A framework for subjective assessment of audio
N Jillings, D Moffat, B De Man, JD Reiss, R Stables
252016
Modal synthesis of weapon sounds
L Mengual, D Moffat, JD Reiss
162016
Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models
R Selfridge, D Moffat, EJ Avital, JD Reiss
Journal of the Audio Engineering Society 66 (7/8), 594-607, 2018
142018
Perceptual Evaluation of Synthesized Sound Effects
D Moffat, JD Reiss
ACM Transactions on Applied Perception (TAP) 15 (2), 13, 2018
142018
Sound synthesis of objects swinging through air using physical models
R Selfridge, D Moffat, JD Reiss
Applied Sciences 7 (11), 1177, 2017
122017
Unsupervised Taxonomy of Sound Effects
D Moffat, D Ronan, JD Reiss
20th International Conference on Digital Audio Effects (DAFx17) 20, 2017
122017
The impact of compressor ballistics on the perceived style of music
G Bromham, D Moffat, M Barthet, G Fazekas
Audio Engineering Society Convention 145, 2018
112018
Real-time physical model of an Aeolian harp
R Selfridge, D Moffat, J Reiss, E Avital
102017
Real-Time Physical Model for Synthesis of Sword Swing Sounds
R Selfridge, D Moffat, JD Reiss
14th International Conference on Sound and Music Computing 14, 2017
102017
Physically Derived Sound Synthesis Model of a Propeller
R Selfridge, D Moffat, JD Reiss
Sound and Music Computing Conference 2017, 2017
102017
What do your footsteps sound like? An investigation on interactive footstep sounds adjustment
L Turchet, D Moffat, JD Reiss, T Stockman
Applied Acoustics 111, 77-85, 2016
92016
Approaches in Intelligent Music Production
D Moffat, MB Sandler
Arts 8 (4), 125, 2019
82019
Towards a Semantic Web Representation and Application of Audio Mixing Rules
D Moffat, F Thalmann, MB Sandler
Proceedings of the 4th Workshop on Intelligent Music Production (WIMP04), 2018
82018
A history of audio effects
T Wilmering, D Moffat, A Milo, MB Sandler
Applied Sciences 10 (3), 791, 2020
62020
Machine Learning Multitrack Gain Mixing of Drums
D Moffat, M Sandler
Audio Engineering Society Convention 147, 2019
62019
Adaptive ballistics control of dynamic range compression for percussive tracks
D Moffat, M Sandler
Audio Engineering Society Convention 145, 2018
62018
Subjective comparison of music production practices using the Web Audio Evaluation Tool
N Jillings, B De Man, D Moffat, JD Reiss, R Stables
2nd AES Workshop on Intelligent Music Production, 2016
6*2016
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