| “The perfect guide in a crowded musical landscape:” Online music platforms and curatorship E Barna First Monday, 2017 | 36 | 2017 |
| Dinamikus hatalom: Kulturális termelés és politika Magyarországon 2010 után RE Barna, M Madár, K Nagy, M Szarvas FORDULAT: TÁRSADALOMELMÉLETI FOLYÓIRAT, 225-251, 2019 | 17* | 2019 |
| A translocal music room of one’s own: Female musicians within the Budapest lo-fi music scene E Barna Made in Hungary, 59-70, 2017 | 12* | 2017 |
| A rendszerváltozás utáni magyar feminista mozgalom globális, történeti perspektívából E Barna, G Csányi, Á Gagyi, T Gerőcs Replika, 241-262, 2018 | 11 | 2018 |
| Online and offline rock music networks: A case study on Liverpool, 2007-2009 RE Barna University of Liverpool, 2011 | 11 | 2011 |
| “We are of one blood”: Hungarian popular music, nationalism and the trajectory of the song “Nélküled” through radicalization, folklorization and consecration E Barna, Á Patakfalvi-Czirják Journal of Contemporary Central and Eastern Europe 30 (2), 217-235, 2022 | 9 | 2022 |
| Popular music, technology, and the changing media ecosystem: From cassettes to stream T Tófalvy, E Barna Springer Nature, 2020 | 9 | 2020 |
| Made in Hungary: Studies in popular music E Barna, T Tófalvy Taylor & Francis, 2017 | 9* | 2017 |
| Bedroom production E Barna, G Stahl, J Mark Percival The Bloomsbury Handbook of Popular Music, Space and Place, 191-204, 2022 | 7 | 2022 |
| Popular music as a medium for the mainstreaming of populist ideologies in Europe M Dunkel, E Barna, M Caiani, A Doehring, M Niederauer, M Schiller Research Project (Full Proposal) financed by Volkswagen Foundation, Ref 94 …, 2018 | 7 | 2018 |
| East-Central European feminist activism in the context of uneven development in the European Union, and ways to move forward E Barna, G Csányi, Á Gagyi, T Gerőcs The Future of the European Union–Feminist Perspectives from East-Central …, 2017 | 7 | 2017 |
| Music industry workers’ autonomy and (un) changing relations of dependency in the wake of COVID-19 in Hungary: Conclusions of a sociodrama research project E Barna, Á Blaskó Intersections. East European Journal of Society and Politics 7 (3), 279-298, 2021 | 6 | 2021 |
| The relentless rise of the poptimist omnivore: Taste, symbolic power, and the digitization of the music industries E Barna Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes …, 2020 | 6 | 2020 |
| Curators as Taste Entrepreneurs in the Digital Music Industries E Barna Popular Music in the Post-digital Age: Politics, Economy, Culture and …, 2018 | 6 | 2018 |
| “There are places I’ll remember…”: A Sense of Past and Locality in the Songs of the Beatles and the Kinks E Barna Accès: http://iipc. utu. fi/overground/. Consulté le 31, 10-12, 2010 | 6 | 2010 |
| The ‘System of National Cooperation’hit factory: the aesthetic of Hungarian government-commissioned songs between 2010 and 2020 E Barna, Á Patakfalvi-Czirják Popular Music 41 (3), 333-353, 2022 | 5 | 2022 |
| Researching popular music and the rise of populism in Europe M Dunkel, M Schiller, A Schwenck XX Biennial IASPM Conference: Turns and Revolutions in Popular Music Studies …, 2021 | 5 | 2021 |
| Változás és kontinuitás egy budapesti underground zenei világban a műfaj-esztétika, ízlés, technológia és alkotómunka viszonyrendszerén keresztül E Barna Társadalmi Nemek Tudománya Interdiszciplináris eFolyóirat 7 (1), 1-21, 2017 | 5 | 2017 |
| The Scene as Online and Offline Music Network: A Case Study on Contemporary Liverpool Indie Rock Bands E Barna Cultural Cyborgs: Life at the Interface, 105-116, 2011 | 5* | 2011 |
| Between Cultural Policies, Industry Structures, and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary E Barna Popular Music and Society 45 (1), 67-83, 2022 | 4 | 2022 |
